Navigating the future of the aviation sector requires architects and designers to walk a complex path, often contending with opposing drivers to create outcomes that go on to define a city’s first impression.
In this series, Woods Bagot’s aviation experts delve into the history, motivation and challenges of select aviation debates – sharing how these tensions will shape airport design into the future.
Here, Aviation Sector Leader Jodi Archer weighs the architectural statement of the big roof with the intimacy of designing at a human scale.
Airports are symbols of their cities and gateways to the lives they represent.
A city’s grand entry creates a powerful impression, making an architectural statement essential. At the same time, reflecting local character and culture ensures a memorable experience for everyone.
This debate centres on the matter of deciding the best design approach: Should we prioritise the architectural grandeur of the “big roof” or focus on the comfortable tactility of designing at a “human scale”?
The case for the ‘big roof’ is clear: Creating a large-scale visual presence from both land and sky is an extremely rare privilege, and the roof is the key to making a strong architectural statement.
Beyond being visually striking, a good big roof is also flexible—an overarching canopy that stands strong for years while adapting to the ever-changing needs of the environment beneath. Designing airports is complex, and it’s increasingly important for these massive infrastructures to flex, evolve, and expand over time.
A big roof can also help visitors find their way, setting the framework for intuitive wayfinding and easing navigation. Tall glass facades and high ceilings flood the space with natural light, guiding passengers to their gates while enhancing comfort with elegance. Space is the ultimate luxury, but determining the right amount and form of space is a matter of personal interpretation—comfort, with everything at your fingertips.
Yet, I question whether the big roof alone can create a sense of connection in a space that holds so many. While a big roof offers an iconic identity, can’t this be achieved on a human scale?
“Airports are symbols of their cities and gateways to the lives they represent.”
In aviation, there is a long history of stunning airport roofs. Commissioned in 1956 and completed in 1962, Eero Saarinen’s design for New York’s JFK airport’s TWA terminal’s concrete roof imitates a bird in flight with two massive ‘wings.’
Also designed by Eero Saarinen, Dulles in Washington DC features an expressive roof that flicks out towards the sky on either side. (completed 1962).
Terminal 1 at Paris CDG airport was built between 1967 and 1974. Designed by Paul Andreu, the building is a 10-story, Brutalist concrete structure with a distinctive circular appearance.
Small nooks, like this one in Hong Kong’s Hysan Place, create space at a human scale within a larger space.
Located within SFO’s Harvey Milk Terminal, this playground creates space for play for younger travelers.
A variety of seating elements in Melbourne’s Qantas Lounge allows passengers to find a space that suits their needs.
As a designer, my life goal is to create and enhance people’s lives through experience. My first love was deep and abstract design, inspired by Gaudí, who carefully considered every detail to strengthen a concept and bring joy—from the shape of a door handle to the pattern in the glass. Large, open spaces like airports used to feel intimidating to me, and I would search for a quiet nook off the beaten path, which rarely existed.
Today, we have dedicated spaces for those needs, reflecting the inclusivity of modern life. But shouldn’t these elements blend seamlessly into the design? Shouldn’t the ultimate human design response seamlessly accommodate needs both great and small
When we think about people, we realise that while everyone has similar basic needs, individual experiences and personalities shape what we’re seeking. The purpose of an airport is to move people on and off planes, but people also want a stress-free environment—easy navigation, comfortable seating, and the amenities that make them feel at home.
If you set up ten different chairs, it’s unlikely everyone will choose the same favourite. Factors like physicality, mentality, culture, mood, and company all influence behaviour and preferences. Everyone wants a chair, but not the same one—people want choice.
If we are not designing for humans, who are we really designing for? I believe we characterise a space through the people that use it.
Can both a big roof and human scale achieve this? Absolutely.
“If we are not designing for humans, who are we really designing for? I believe we characterise a space through the people that use it.”
We use spatial form to guide movement—where do you naturally speed up, and where do you slow down? Are there noticeable shifts in building form or volume that influence these changes?
I often engage in thoughtful conversations with my children, sparking their creativity. Recently, my daughter asked, “What came first, the chicken or the egg?” My son quickly answered, “the chicken—an evolution of the dinosaur,” confidently dismissing other possibilities. I, however, like the idea that the egg came first. Just as the egg is the origin of the chicken, the core values and needs of a space are the starting point for its design – the essence of any space begins from within.
So, my answer is that the people who use the space should drive the design response. Sometimes this means a big roof, but it always means human scale.
The generous space at Sydney Metro station is an example of how human scale and a big roof can work together to achieve a calm, open space.
Designed in collaboration with Buro Happold, the cocoon-like roof at Heydar Aliyev International Airport in Baku, Azerbaijan provides a comforting element to the airport’s interior.
Building on the competition and reference design by Zaha Hadid Architects and Cox Architecture, Woods Bagot’s design encapsulates the sense of place and qualities of the Western Sydney region for a compelling journey experience through the landside, terminal and airside transitions.
Talk to Jodi Archer about Aviation’s Great Debates: ‘Big Roof’ VS Human Scale
Jodi is an experienced designer and leader with over 17 years of working in the design industry. She has a broad range of project experience in various sectors, with a particular focus on transport and aviation. She has played key roles in notable projects like Western Sydney International Airport, Sydney International Airport, Sydney Metro and Perth International Airport.
Throughout her career Jodi has worked in both architectural firms and contracting clientside, providing her with a dynamic approach to projects. Prior to Aviation lead at Woods Bagot she worked as Design Manager within the Planning and Construction Department at Sydney Airport, enabling her to understand total project perspective and complex stakeholder management.
Jodi is known for her collaborative approach, balancing design, program, budget, and commercial feasibility to ensure the successful delivery of every project. Her leadership has been instrumental in the successful outcome of many projects, making her an invaluable asset to any team. With her wealth of experience, Jodi is a reliable and capable designer and leader who is sure to bring her expertise and talent to any project she undertakes.
Talk to Tess Dolan about Aviation’s Great Debates: ‘Big Roof’ VS Human Scale
Tess is Woods Bagot’s Global Insights & Communications Leader. Passionate about clarity, relevance and the creation of genuinely interesting content, Tess works with our innovators to create insights on the future of design, as applied to its impact on how we live, work, travel, play, learn, stay healthy and anything in-between. See Woods Bagot’s Journal for more.
Sydney, Australia